| 
Shot no | 
description | 
Characters  | 
props | 
Shot duration | 
  | 
1 | 
Tracking mid long shot following the woman
  who is walking through the woods of her back | 
the main woman | 
Big black duffle bag, 
 | 
4 seconds | 
  | 
2 | 
Tracking long shot of the woman walking this
  is when her phone would then start to ring | 
the woman | 
Mobile phone and black duffle bag | 
5 seconds | 
  | 
3 | 
Close up of the woman’s face as she answers
  the phone | 
The main
  character | 
mobile phone and duffle bag | 
2.5 seconds | 
  | 
4 | 
 Extreme long shot Pan shot of Cornhill manor | 
One man outside smoking a cigar only seen
  from a distance | 
Cars in the drive | 
3 seconds | 
  | 
5 | 
Long shot of the back of the woman walking
  through the woods | 
Woman  | 
Bag and phone | 
2 seconds | 
  | 
6 | 
mid long shot of the woman as we follow her
  more in the woods  | 
Woman  | 
‘’ | 
7 seconds | 
  | 
7 | 
Long shot pan of the woman walking through
  the woods  | 
‘’ | 
‘’ | 
4 seconds | 
  | 
8 | 
Close up of the woman as she is on the phone
  and walking. | 
‘’ | 
‘’ | 
5 seconds | 
  | 
9 | 
 Pan
  with a car as it enters the house car park. We then see one man get out of
  the car and greet the man outside the house smoking who at this point has put
  his cigarette out | 
Two men  | 
Smart car, 
Cigarette 
briefcase | 
12 seconds | 
  | 
10 | 
To inside with a high angle looking down into
  a room. The other two are talking quietly. 
 
 
 
 | 
Two men to start with but then the other two
  will walk in | 
Glasses on the table with drinks in.  
Smoking with ash tray on the table.  | 
6 seconds | 
  | 
11 | 
Long shot of the table and the desks from the
  side showing all the men in the room. There is silence for a few seconds to
  show the tension in the room.  And this
  is when they start talking. Forced convocation | 
All four of the men | 
All in previous shots. 
 
Brief case is there | 
8 seconds | 
  | 
12 | 
They continue to drink talk and smoke with a
  tracking pan shot around the people in the room  | 
All of the men | 
all previous props in the room 
 
                         | 
4 seconds | 
  | 
13 | 
It then cuts back to a tracking mid shot
  following the woman. We follow her until she comes to a stop. She is still
  talking on the phone to her son/daughter. | 
woman | 
Bag and phone | 
6 seconds | 
  | 
14 | 
We then see a low angle mid long shot of her
  walking toward the camera when she then stops just before the camera and sets
  the bag down as she carries on talking. But we don’t hear it as we only see
  it as we want to stick with the men | 
woman | 
Bag and phone | 
3 seconds | 
  | 
15 | 
We then go back to the men with the side long
  shot. we have been hearing them in the back ground whilst we brifly see the
  woman again talking normally but when we cut back to them there is then a
  break in the convocation and they then proceed the talk seriously. | 
The four men | 
All previous props | 
8 seconds | 
  | 
16 | 
We then see a close up of the man who we
  think is the main important man who is sitting behind the desk. | 
One of the men | 
‘’ | 
3 seconds | 
  | 
17 | 
We then see a briefcase bought up from one of
  the men on the other side of the desk and lay it on the desk with a mid-shot | 
The two men sitting on the other side | 
Briefcase and glasses on the desk | 
5 seconds | 
  | 
 | 
We then see the man on the other side open it
  with a mid-shot over the shoulder shot as he looks in to the case | 
One man | 
briefcase | 
4 seconds | 
  | 
18 | 
Another close-up of the main man’s face to
  show he’s in concentration | 
One man | 
 | 
3 seconds | 
  | 
19 | 
We then see a close-up of the man reaching
  for a cupboard and open it. | 
The man’s hand | 
Desk and drawr | 
3 seconds | 
  | 
20 | 
We then cut to the woman with a mid-long shot
  who we then start to see her unpack the gun with the house in the background. | 
woman | 
gun | 
4 seconds | 
  | 
21 | 
We then see her put the final pieces of the
  gun together and lie down next to it with a gently zooming shot in as she
  gets herself ready.  
At this point she is still talking on the
  phone right up until the point where she is looking through the scope | 
woman | 
Gun and phone with the bag on the side | 
9 seconds | 
  | 
22 | 
We then see her looking down the scope of the
  gun from the side with a mid-shot and she is then turns it on hold as she
  says it to whoever she’s on the phone to  | 
Woman  | 
Gun and phone | 
3 seconds | 
  | 
23 | 
There is then an extreme close-up of her then
  pulling the trigger.  | 
woman | 
gun | 
1.5 seconds | 
  | 
24 | 
We then see the man who has just opened the
  door be shot and he then collapses on the desk. | 
The main man | 
Glasses and brief case | 
2 seconds | 
  | 
25 | 
We then see the other men quickly take the
  suitcase and run from the run with the long shot from the side. | 
Other three men run and we see the other man
  sitting there dead | 
Briefcase and all other props in the room | 
1.5 seconds | 
  | 
26 | 
There would then be another close up of the
  woman from the side who would then reload the gun as she moves the bolt | 
The woman | 
Gun and phone on the ground next to her | 
3 seconds 
 
want the
  shot duration longer on woman to show that she is more calm than the men | 
  | 
27 | 
We would then see an tracking long shot with
  the cross of a scope of the house where we would see the men come past some
  windows but she wouldn’t shoot. | 
The three men running past  | 
None needed for this | 
1.5 sec | 
  | 
28 | 
We would then see and over the shoulder shot
  of the next man to be shot who would open the door slowly to see if he can
  get out but as soon as he opens it further he is then shot as soon as it
  opens enough, the other men would then proceed to rush past him out into the
  garage | 
Three men | 
None needed | 
4 seconds | 
  | 
29 | 
We would then get an over the shoulder long
  shot from where the woman is hiding into the carpark when we then see the men
  run out of the house we then see her quickly reload and shoot again. | 
Woman and the men.  | 
gun | 
2 seconds | 
  | 
30 | 
We would then quickly cut to the man who has
  just been shot with a low angled tracking mid long shot as he runs then collapses
  when he is hit | 
man, | 
Fake blood | 
1 seconds | 
  | 
31 | 
We then get a high angle of one of the last
  man who is hiding behind one of the cars that is parked in the drive way
  looking around | 
man, | 
None needed | 
3 seconds | 
  | 
32 | 
We then see a long shot or extreme long shot
  of the car and see the other person behind the car moving. We would then edit
  in a snipers scope cross onto it so that we can clearly see this is in a way
  a POV shot | 
man | 
none | 
2.5 seconds | 
  | 
33 | 
We then see the man make a rush for another
  car and try to get in but as he runs across he is then hit. This is done with
  a mid-long shot tracking shot moving into a mid-shot of the man as he runs
  towards the camera. (he’s running faster than the camera | 
man | 
Fake blood | 
3 seconds | 
  | 
34 | 
Close up of the womans face as she looks up
  from the gun  
 | 
woman | 
gun | 
2 seconds | 
  | 
35 | 
mid-long shot of her starting to put the gun
  away. 
 | 
woman | 
Gun and black bag or case | 
3 seconds | 
  | 
36 | 
Once gun is packed away there is a mid shot
  of her picking up the phone from the floor next to her and start talking
  again 
 | 
woman | 
Phone and gun and bag | 
4 seconds | 
  | 
37 | 
Low angle shot which she walks in front of
  walking away back into the woods talking on the phone normally | 
Woman  | 
Black bag and phone | 
5 seconds | 
  | 
38 | 
Left with two shots of men who have been shot | 
Men  | 
Whatever was left in the house | 
2 seconds each |